Tuesday, December 8, 2009

Physics Part V

This is a slight expansion on the previous version. For each of these charts, to move down, you integrate over time, and to move to the right, you integrate over distance. Left and up are derivatives with respect to distance and time respectively. One might expand these charts further to the left, if various quantities of density are of particular interest.



meters^-1meters^1meters^2meters^3
s^-3
s^-2change in magnetic fluxchange in current (slew rate)
s^-1magnetic fluxcurrentmagnetic pole strengthmagnetic dipole moment
linear charge densitychargeelectric dipole momentelectric quadrupole moment
s

meters^-1meters^1meters^2meters^3
s^-3pressure driftareal power losslinear power losspower
s^-2sound energy densitysurface tensionforceenergy
s^-1(dynamic) viscositymass transport ratemomentumaction
linear densitymassfirst mass momentmoment of inertia
s

meters^-1meters^1meters^2meters^3
s^-3jerkarea per second^3
s^-2angular acceleration / frequency driftaccelerationhelicity / specific energy / tenacitygeo- potential
s^-1hertz (units per second)velocitykinematic viscosity(hydraulic) current
wavenumberdistanceareavolume
sslowness (measures dynamite fuses)timespacetime hyper- volume



Steampunkization

"Steampunk" refers to a certain subgenre of alternate history, which is itself a subgenre of science fiction. Alternate history usually works by making a change at a certain point in history, and watching how the future of that world differs from our own.
It occurred to me this week as I reread some William Gibson was that all science fiction (including stories of the near future, like Tom Clancy novels) eventually becomes alternate history. That is, the future imagined in 1984 (the year Neuromancer was published) is a future of 1984, if certain things had gone differently. In some ways it tells us more about the 1980s than it does about the 2050s. In this sense, the earliest steampunk stories were the writings of Jules Verne and the other Victorian science fiction authors. This may be the most authentic writing in the subgenre, and is often included among the conventions of the setting. (With the benefit of knowing how actual events came out, though, we can add in a kind of dramatic irony in the technology that isn't present in these works.)
I suspect one reason steampunk is popular is that it is far enough back to set this effect into sharp visibility, but early enough that science fiction had been invented. Earlier eras in a certain sense didn't have an alternate future to follow. The future that the Thomas More and other Utopian authors imagined, for example, only differed from their present politically, not technologically. Perhaps science fiction requires only the existence of science-- Francis Bacon's New Atlantis, for example, is a good candidate for the first work in the genre, written by one of the inventors of the scientific method.
Aaron Diaz turns all this on its head by imagining how future civilizations will view their past (our present.) His time travelers get some things wrong, mixing clothing in inappropriate ways, for example, and getting the slang wrong. The 80's themed cafe in Back to the Future II, which mixes Reagan and Qadafi with Max Headroom, is another example of this. Of course, both of these stories, written in our past, have yet one more joint in their zigzag path through time.